When you stare at climate change, sometimes climate change stares back.
So what happens when one refuses to look away?
Thatโs the challenge taken on by filmmaker Josh Fox in his new film, How to Let Go of the World and Love All the Things Climate Canโt Change.
Like its title, the film is a long and artful look at an almost too-familiar topic, but one that takes you to unexpected places.
Fox, celebrated for his award-winning documentary GASLAND that charted the impacts of prolific fracking in the U.S., including near his home in the Delaware river basin, begins How to Let Go of the World by celebrating a local success against the gas industry in Pennsylvania.
But his celebration, which is marked by some impressive dad dancing, is cut short by the realization that a beloved family tree has been overtaken by woolly adelgids, an insect infestation prompted by the warmer winters of climate change.
Josh Fox will attend a film benefit screening of How to Let Go of the World in Vancouver on May 23, 2016. Tickets and event details available on Facebook or through the Rio Theatre. The event is hosted by DeSmog Canada, Gen Why Media and the Rio Theatre. All filmmaker proceeds will go to the Athabasca Chipewyan First Nation Fort McMurray Fire Relief Fund. Event is 19+.
Fox then casts his gaze out to other impacts of a hotter climate, including the devastation wrought in New York and New Jersey by Hurricane Sandy.
Tunnelling into the climate science with well-known climate advocate Bill McKibben and famed climate scientist Michael Mann, Fox faces head on the stark realization that current efforts to address climate change โ the agreements, and targets and innovations โ are mere trifles if immediate reductions in the worldโs total carbon emissions arenโt happening
Trailer: HOW TO LET GO OF THE WORLD AND LOVE ALL THE THINGS CLIMATE CANโT CHANGE from JFOX on Vimeo.
The film channels Foxโs deep sense of personal despair and the social-political languor that such feelings give rise to.
But it is here at this low point, Foxโs intuitive filmmaking takes flight, bringing us into an alternate world of hope, dance, creativity, resilience and on-the-ground storytelling that drives the remainder of the filmโs narrative.
โThe moment you surrender, I really think thatโs the moment, when you change,โ Fox says in a narrative voiceover. โBut thatโs also the moment you find the revolution inside.โ
โWhat are the things climate change canโt destroy?โ
Seeking out places where the battle is being waged against climate change, Fox travels to the jungles of the Amazon, to Ecuador, Samoa, and Zambia, all in search of the meaningful human experience that thrives despite the fight.
On a trip to China, Fox interviews climate activist and energy democracy advocate Emma Chou who says society has lacked the โmoral imaginationโ necessary to surmount the obstacles to clean energy and a stable climate.
โThe moral imagination allows us to think outside of this box, having a moral value of what you want as a person as an individual. What do you want out of our own humanity?โ Chou says.
The conversation proves to be a major turning point for Fox, who realizes his personal climate despair is an inadequate response to the global challenge at hand.
โI felt ashamed that I ever wanted to sit at home and do nothingโฆ.so stupid to think that way, itโs just not possible. Whatโs required is so much more.โ
โIf there was any idea that could rocket you off to the stratosphere, [the moral imagination] is it,โ he says.
โThe moral imagination designed and built the first solar panels, wind turbines, and geothermal power plantsโฆthe basic truth that renewable energy can provide 100 per cent of the power needed on this planet.โ
โThereโs no end to human innovation once the moral imagination is evoked.โ
Image: Screenshot from How to Let Go of the World.
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